In Memorium – Volodymyr Kovalchuk

Volodymyr Kovalchuk. Lutsk,Ukraine. 1998.
mbfitzmahan. Volodymyr Kovalchuk. Lutsk,Ukraine. 1998.

Volodymyr Kovalchuk of Lutsk, Ukraine, and my friend of 20 years, died on May 1, 2017.

He died of stomach cancer. “Volodymyr thought you were a very noble person,” my friend wrote me.  “I saw him about 6 months ago.  We stood outside my apartment and reminisced about those years when the Fitzmahan’s lived in our town.  We talked about how much we looked forward to working together to help with your next book.”

Many of my friends from Ukraine are suffering.  Jobs have dried up.  Pensions are not sufficient to pay for retirement.  Many have left and moved to other parts of Europe.

Those who can not leave, stay behind dreading the Russian invasion and fear for their survival.

Continue reading “In Memorium – Volodymyr Kovalchuk”

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What flavor do you like your photos?

Kiyomizu Temple
mbfitzmahan. 2013. Kyoto, Japan. Incense. Kiyomizu Temple

I  make my photos in black and white.

I’ll admit it, I do sometimes take photos in color.  But, I don’t think of those photos as real photography.  You know, art photography. 

Wait!  

Rewind.  Let me backtrack.  Color photos of family.   Babies, grandparents, the latest vacations.  Those are wonderful photos. They are snapshots of our lives.  Of our times together.  I love looking at them.  I liked sharing them on my iPhone.  I like to sit with my girls, laughing and talking about the adventures in those photos. Continue reading “What flavor do you like your photos?”

Photographing President Bush

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mbfitzmahan. 2006 Tallinn, Estonia. President Bush and Secretary of State Condoleezza Rice.

10 years ago, I taught at a small international school in Estonia.  A handful of the American teachers were invited to a reception for the President.

Out of ethical opposition to the standing president, my friends refused to go.   Being the most liberal of the bunch and a supporter of Al Gore and John Kerry, everyone turned to me to lead the protest, to refuse to attend the reception.

No way!  I jumped at the chance to meet President Bush.  What an awesome photo opportunity!

Continue reading “Photographing President Bush”

The empty bus rattled down the road. In the wrong direction.

Black and white photograph of figure walking down a dark hallway to the foreground where there is a lit door
Dark hall of Lesya Ukrainka University. Lutsk, Ukraine. 1997

“Just take the Number 8 bus,” the secretary said. “You’ll have no trouble getting home.”
“But all the buses look alike,” I pleaded, with what I thought was perfectly good logic.
“Don’t worry. You won’t get lost,” she said with a smile and then returned to her magazine. Continue reading “The empty bus rattled down the road. In the wrong direction.”

“We Ukrainians are depressed. So we smoke and we drink coffee. Unless we drink vodka. But, I don’t have any vodka today.”

Two girls peeking around the corner of a dilapidated stone wall.
Friends. Lutsk, Ukraine. 1998

Nora puts herself in her art. Pointing to her sketch of a pregnant woman sitting on a turtle, she said,  “See here. It’s my nose. I can’t paint without putting it in.” I bought this sketch, The Spanish Lady, from Nora in 1998.  For a $100.  I smuggled the piece out of Ukraine, rolled up in my guitar case.   

Continue reading ““We Ukrainians are depressed. So we smoke and we drink coffee. Unless we drink vodka. But, I don’t have any vodka today.””

“Hide your papers,” he advised, “under the potatoes.”

Black and white photograph of four youths climbing stairs in post-Soviet Lutsk, Ukraine in 1997.
In the Neighborhood. Lutsk, Ukraine. 1997

“A man came to the KGB office.  He looked frightened.  ‘My talking parrot has disappeared.’ The agent was confused.  ‘That’s not the kind of case we handle here. Why don’t you go to the police?’ The man frowned, ‘I know that, but I am here to tell you officially that I disagree with the parrot.’”  Viktor, dean of the law school, was a man who liked a joke.  I once read that every nation likes political jokes, but to the people of the Soviet Union, jokes were a national sport. 

On my first day at the university, Viktor took my hand and smiled,  “I am happy you are here to help us get a new perspective.  A class in comparative law is just what we need. I must warn you, though, we have no textbooks, no printer, and no computers.  Sometimes we don’t even have lights,” he laughed.   Continue reading ““Hide your papers,” he advised, “under the potatoes.””

My first darkroom image

Shauna in a hammock
Shauna. 1st Darkroom image. Vashon Island, WA. 1995. Nikon

I first saw an image rise up from a pan of Kodak D-76 in 1995. I cried. It was a miracle, and I had created it.  Well, Nikon, Kodak, and a bunch of chemicals had created it. The blank 8 x 10 piece of paper morphed into a black and white image of a freckled girl becoming a woman. I didn’t realize the experience would be so personal, so intimate. I needed my own darkroom. I picked up a newspaper and searched for a used enlarger. I found a 30 year old, 3 foot tall, Omega D6 on sale by an 85 year old man. He sold me his entire darkroom: light box, loupes, timer, safelight, tongs, easel, and enlarger.    Continue reading “My first darkroom image”

“Is OK. I speak English. Not very well, but we will be fine. We will talk photography.”

Volodya - Volyn Studio. Lutsk, Ukraine. 1997
Volodya – Volyn Studio. Lutsk, Ukraine. 1997

“Hey, Volodya, take care of this American lady,” Borys hollered down the hall.  A gangly young man peered around the corner.  Grunting to Borys in a “Ja, ja,” but smiling at me like Dick van Dyke in Mary Poppins, a young man took my hand and guided me down and around into a long narrow room soaked with the smell of chemicals.  “Is OK.  I speak English.  Not very well, but we will be fine. We will be friends.  We will talk photography.” Pointing to the enlargers, he said, “These are old Russian machines.  Not bad.  Nothing like you have in America, I bet.”

Continue reading ““Is OK. I speak English. Not very well, but we will be fine. We will talk photography.””

box of chocolates – find the truffles, avoid the orange cream

Questing
Sicily, Italy

To my  followers and visitors: I’m traveling to the States this week.  I’ll be gone for 5 weeks for an exciting and happy visit with family.  I hope to continue blogging.  Please keep coming to visit; I really like comments. Thank you for encouraging me.  I appreciate being a part of a network of fellow travelers through cyberspace.   Have a fruitful and art-filled summer.   Maureen

women’s only train car -Nagoya

woman's only train
women’s only train. June 13, 2013. Nagoya, Japan
iPhone 5. ISO 50. 4.1 mm. f/2.4. 1/127. Lightroom. Silver Efex Pro 2

a journey – even today

a journey - even today. June 13, 2013. Nagoya, Japan iPhone 5. ISO 50. 4.1 mm. f/2.4. 1/30. Lightroom. Silver Efex Pro 2
a journey – even today. June 13, 2013. Nagoya, Japan
iPhone 5. ISO 50. 4.1 mm. f/2.4. 1/30. Lightroom. Silver Efex Pro 2

if I hold the tears, they sparkle – autumn dusk

Miyajima dusk
Miyajima. October 10, 2012. Hiroshima, Japan
Nikon D7000. AF-S DX Nikkor 18-70mm f/3.5-4.5G. ISO 400. 18mm. 1/13. 1/640. Lightroom. Silver Efex Pro 2.

I like to wash, the dust of this world, in the droplets of dew (Bashō 1644-1694)

droplets of dew
droplets of dew. February 18, 2013. Kozoji, Japan
iPhone 5. ISO 80. 4.1mm.f/2.4/1/20. Lightroom. Silver Efex Pro 2

In Edo Japan, the nape of the neck was seen as the most sensuous part of the body.

美人画 -(bijinga) beautiful women. . March 30, 2013. Kyoto, Japan
Nikon D7000. AF-S DX Nikkor 35mm f/1.8G. ISO 400. 35 mm. f/7.1. 1/200. Lightroom. Silver Efex Pro 2.

Kyoto

Kiyomizu via iPad 2-3
Kyoto. March 29, 2013. Kyoto, Japan.
Nikon D7000. AF-S DX Nikkor 35mm f/1.8 G. ISO 800. 35 mm. f/8/ 1/250. Lightroom. Silver Efex Pro 2.
Kiyomizu via iPad 2-2-2
Kyoto. March 29, 2013. Kyoto, Japan.
Nikon D7000. AF-S DX Nikkor 35mm f/1.8 G. ISO 400. 35 mm. f/9. 1/320. Lightroom. Silver Efex Pro 2.

 

Kiyomizudera – Kyoto

Kiyomizu via iPad 2-2
Kiyomizudera. March 30, 2013. Kyoto, Japan
Nikon D7000. AF-S DX Nikkor 35 mm f/1.8 G. ISO 400. 35mm. f/7.1. 1/200. Lightroom. Silver Efex. Pro 2.

two cars on the train

two cars
two cars on the train. June 6, 2013. Nagoya, Japan
iPhone 5. ISO 100. 4.1 mm. f/2.4. 1/20. Lightroom. Silver Efex Pro 2.

teens on a train

teens
teens. June 6, 2013. Nagoya, Japan.
iPhone 5. ISO 5. 4.1 mm. f/2.4. 1/171. Lightroom. Efex Silver Pro 2.

the bus ride

the bus ride
the bus ride. November 14, 2012. Nagoya, Japan.
iPhone 5. ISO 250. 4.1 mm. f/2.4. 1/20. Lightroom. Efex Silver Pro 2.

street fashion – ‘kawaii’

'kawaii' and. May 31, 2013. Nagoya, Japan. iPhone 5. ISO 50. 4.1mm. f/2.4. 1/24. Lightroom. Silver Efex Pro 2.
‘kawaii’ and. May 31, 2013. Nagoya, Japan.
iPhone 5. ISO 50. 4.1mm. f/2.4. 1/24. Lightroom. Silver Efex Pro 2.